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      <image:caption>Negotiation and Power in the Amazon territory (2013)</image:caption>
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      <image:caption>Negotiation and Power in the Amazon territory (2013)</image:caption>
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    <loc>http://www.danikacooper.com/urban-rhythmanalysis</loc>
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    <lastmod>2015-09-15</lastmod>
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      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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      <image:title>Urban Rhythmanalysis</image:title>
      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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      <image:title>Urban Rhythmanalysis</image:title>
      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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      <image:title>Urban Rhythmanalysis</image:title>
      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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      <image:title>Urban Rhythmanalysis</image:title>
      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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      <image:title>Urban Rhythmanalysis</image:title>
      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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      <image:title>Urban Rhythmanalysis</image:title>
      <image:caption>"It's all trivial – your grouse, my hermit, Bernard's Byron. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise, we're going out the way we came in." –Tom Stoppard, Arcadia This 'map' finds relationships between time, exertion, and perceived mental stimulation. Each section represents one ideal day, deconstructed into 48 half-hour increments. Each increment has been analyzed by its documented activity to deduce a stimulation magnitude, which operates in four stages – no conscious stimulation, low, intermediate, and high stimulation. The resulting 'topography' undulates to reflect shifts in exertion and stimulation levels. Connecting the sections, literally and visually, is my own profile, represented by the thick black cord.</image:caption>
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    <loc>http://www.danikacooper.com/ressfd</loc>
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    <lastmod>2020-03-19</lastmod>
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      <image:caption>INVISIBLE DESERT, e-flux Architecture, Special Issue: New Silk Roads (2019)</image:caption>
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      <image:caption>WATERS RESIST: MODERNITY, ARIDITY, and the FIGHT OVER ORME DAM, Journal of Architectural Education, Special Issue: H2O 74.1 (2020)</image:caption>
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      <image:caption>TIDES IN THE BODY, Fresh Water: Design Research for Inland Territories (2019)</image:caption>
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    <lastmod>2020-10-16</lastmod>
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      <image:title>Danika Cooper - towards a more resilient and just future for the aridlands</image:title>
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